Fair and Balanced — saxophone quartet in quartertones
Imagined Overtures — rock band in 6th-tones
Machunas — performance oratorio
Versions of the Truth — dual-voiced male singer (baritone and soprano) and piano
Autumn performances of Oteri’s music include: the debut YPC Radio Radiance broadcast of Love Games for girls chorus, harpsichord, and two tambourines; the world premiere of Lamed Vav Vav, a 36-tone madrigal for five voices; and the West Coast premiere of Oasis: Four Steps Toward an Untempered Clavier for re-tuned electronic keyboard played by four hands.
Oteri’s music has been performed on five continents in venues ranging from Carnegie Hall’s Weill Recital Hall and SubCulture in New York City to the Theatre Royal in Bath, England, Seattle’s PONCHO Concert Hall (where John Cage first prepared a piano), and a Baptist church in the middle of Emanuel County, Georgia. In 2015, the Ray-Kallay Duo performed his Oasis for four-hand retuned electric keyboard as part of the Beyond Microtonal Festival at the Andy Warhol Museum in Pittsburgh and the Young People’s Chorus of New York City conducted by Francisco Núñez premiered his Love Games (settings of three texts by the Elizabethan poet Lady Mary Wroth for girls chorus, harpsichord, and tambourines), a work the chorus commissioned for its Radio Radiance series. His most recent composition, Counting Time in Central City, a three-movement work for unaccompanied chorus based on the poetry of Charles Passy which was commissioned by Central City Chorus in celebration of the 35th anniversary season, will receive its world premiere under the direction of Phillip Cheah on June 4, 2016 at St. Ignatius of Antioch Episcopal Church in New York City.
The PRISM Quartet has performed his quarter-tone saxophone quartet Fair and Balanced? throughout the United States as well as in China and has recorded it on their 2011 CD Dedication (released on innova). His three-movement sixth-tone rock band composition Imagined Overtures has been performed in clubs and concert halls by three different bands and is the title track of a CD released by the Los Angeles Electric 8; his Margaret Atwood song cycle The Other Side of the Window (for female voice, two flutes, toy piano, guitar, and cello) has been performed at La Mama La Galleria in New York City, the Cornish School of the Arts in Seattle WA, and at Bennington College in Vermont. MACHUNAS, a “performance oratorio in four colors” inspired by the life of Fluxus-founder George Maciunas which Oteri created in collaboration with the Italian painter/performance artist Lucio Pozzi, received its world premiere in August 2005 at the Contemporary Arts Center in Vilnius, Lithuania, as part of the International Christopher Summer Festival conducted by Donatas Katkus. (A video recording of that performance can be streamed from the Other Minds Video Archive.) Among the most active champions of Oteri’s vocal music is the Cheah Chan Duo (vocalist Phillip Cheah and pianist Trudy Chan) who have performed his songs on Symphony Space’s The Music of Now marathon and premiered his 2012 Stephen Crane song cycle Versions of the Truth which was commissioned by the ASCAP Foundation Charles Kingsford Fund. Other interpreters of Oteri’s music include: singers Robert Frankenberry, Gilda Lyons, Cybele Paschke, Anne-Marie Taylor, and Kathryn Weld; clarinetist Michiyo Suzuki; guitarists Dominic Frasca and David Starobin; keyboardists Sarah Cahill, Elaine Funaro, Robert Heath, Jenny Lin, Rebecca Pechefsky, and Marvin Rosen; the Magellan and Roebling String Quartet; Pentasonic Winds, Sylvan Winds, and the Locrian Chamber Players. Pianist Guy Livingston has toured around the world playing Oteri’s Last Minute Tango and has also recorded it for the DVD One Minute More in which it is presented along with a accompanying video by Dutch filmmaker Thijs Schreuder. (This recording can be streamed from NPR.)
In addition to his activities as a composer, Oteri is a frequently published music journalist and the Composer Advocate at New Music USA where he also serves as the Senior Editor of the award-winning web magazine NewMusicBox which has been online since 1999. Described as “passionate and knowledgeable” in the San Francisco Chronicle, Oteri is an outspoken crusader for new music and lesser-known repertoire who has given presentations about the importance of contemporary music and the breaking down of musical barriers on television and radio as well as in conferences of musical organizations around the world, including Chamber Music America, the Contemporary Music Centre (Ireland), the League of American Orchestras, OPERA America, the International Association of Music Information Centres, and the International Society for Contemporary Music. He gave the keynote address at the 2010 SCI (Society of Composers, Inc.) conference at Marshall University in Huntington, West Virginia, was as a guest speaker at the 2012 John Duffy Composer Institute Old Dominion University in Norfolk, Virginia, and has served as a member of the faculty for the Minnesota Orchestra Composer Institute since 2007. He has also given pre-concert talks at venues including Carnegie Hall, Lincoln Center, Columbia University’s Miller Theatre, the Los Angeles Philharmonic’s Walt Disney Hall, the Detroit Symphony’s Orchestra Hall at the Max M. Fisher Music Center, the Buffalo Philharmonic’s Kleinhans Music Hall, the Cleveland Orchestra’s Severance Hall, and the Cleveland Museum of Art, and has been invited to lecture students at Yale University, Sarah Lawrence College, the Cleveland Institute of Music, Cleveland State University, and Seattle’s Cornish School of the Arts in Seattle WA as part of a 2008 composer residency. He has served as a program annotator for Carnegie Hall, the Tanglewood Festival, and numerous CD recordings. His musical articles have appeared in BBC Music, Chamber Music, Symphony, and Ear magazines as well as Stagebill/Playbill, Time Out New York, and the Revised New Grove Dictionary of Music and Musicians, and his comments about music have been quoted in The New York Times, the Washington Post, the Wall Street Journal, U.S. News and World Report, Billboard, the Guardian (U.K.) and Jazz Times, among other publications. Oteri holds a B.A. and a M.A. (in Ethnomusicology) from Columbia University where he served as Classical Music Director and World Music Director for WKCR-FM. In 2007, Oteri was the recipient of ASCAP’s Victor Herbert Award for his “distinguished service to American music as composer, journalist, editor, broadcaster, impresario, and advocate.” Frank J. Oteri is represented by Black Tea Music.
September 15, 2015 — 12:00 p.m.
Love Games (2014)
These settings of three poems of Lady Mary Wroth (1587-1652) for girls chorus, harpsichord, and two tambourines which have been performed by Young People’s Chorus of New York City conducted by Francisco J. Núñez who commissioned it for the 2015 edition of Radio Radiance will be aired on 12 radio stations in New York, New Jersey, and Pennsylvania and will also stream online from WWFM.org. After the initial airings, WWFM will make the program available on demand. The WWFM Radio Radiance broadcast will feature the April 25, 2015 world premiere performances (at SubCulture in New York City) of all five of the 2015 Radio Radiance pieces–which also include works by Samuel Adler, Ryan Lott (a.k.a. Son Lux), Caroline Mallonée, and Aaron Siegel–as well as interviews with all of the composers.
More info here and here
October 15, 2015 — 8:00 p.m.
Lamed Vav Vav (2015)
This 36-tone madrigal for five voices was created expressly for the Composers Concordance event Pitches At An Exhibition — CHORUS 72, an exhibition of 72 paintings by Rainer Gross based on the 72 divine names in the Kaballah presented alongside a concert of minute-long unaccompanied choral works inspired by those paintings.
549 West 52nd St (8th Floor), New York NY
October 23, 2015 — 8:00 p.m.
Oasis: Four Steps Toward an Untempered Clavier (1989/2014)
These four short movements for re-tuned electronic keyboard played by four hands will be performed once again by the Ray-Kallay Duo–Vicki Ray and Aron Kallay. (The duo gave the premiere performance of the four-hand version, which was composed for the them, during the Beyond Microtonal Festival at the Andy Warhol Museum in Pittsburgh on March 1, 2015.)
Boston Court Performing Arts Center
70 North Mentor Avenue, Pasadena CA
June 4, 2016 — 7:00 p.m.
Counting Time in Central City (2015)
Central City Chorus under the direction of Phillip Cheah will present the world premiere performance of this three-movement unaccompanied choral work based on three poems by Charles Passy which was commissioned by Central City Chorus to celebrate their 35th anniversary season
St. Ignatius of Antioch Episcopal Church
552 West End Ave, New York, NY